Tasty Mystery Baskets of Clips

...I will have a nice story for you to read about.
Okay.
Impressive
(IN FRENCH) Yes, the house phone in the lobby.
- Get everyone in the basement. - What the hell are you talking about?
‚ô™‚ô™ Extreme ways are back again ‚ô™‚ô™
RESEARCH TECH 2: Marie Helena Kreutz.
(AMBULANCE SIREN BLARES)
Paris office hours are from 8.00 a.m. to 5.00 p.m.
CONKLIN: Where are you gonna go?
BOURNE: You got to get out. You got to start running.
(SPEAKING IN FRENCH)
It's not about a green card anymore. It's completely different.
RESEARCH TECH 1: The call came from a rest stop.
OPERATOR: Yes, sir, Hotel Regina, Paris. How may I direct your call?
there is no measure to how fast
RESEARCH TECH 2: Unreal.
There's police. This is Paris.
We can never come back to this car.
SECRETARY: How are you? BOURNE: I'm good. How are you?
‚ô™‚ô™ It fell apart ‚ô™‚ô™
CONKLIN: We've worked around the clock.
(RAPID GUNFIRE)
Ну ты и...
Whenever we found convergence, we back-checked those numbers and ran a search merge...
MARIE: Okay.
(DRAMATIC INSTRUMENTAL MUSIC)
There's three.
(SPEAKING IN FRENCH) Monsieur Kane. Monsieur Kane.
Irwin Speirs XC Entries close Midday Wed 3rd
Look, I can't run with you. I can't.
MARIE: What?
(CROWD SCREAMS)
You take care of this car?
We can never come back to this car.
(DIALLING AND BEEPING)
Listen, stay calm. Stay calm.
Marie, you can't just sit here. It's not safe here.
I'm down here looking through this, all this shit!
He says it's us. He says he's got proof.
Okay. And I'll find a place for us to rest. And I got to think.
ZORN: He just tore up the embassy and put two cops in the hospital last night.
l said stop.
‚ô™‚ô™ Too many things to cover me ‚ô™‚ô™
You mean until you kill me.
NICKY: Yeah?
BOURNE: Marie?
‚ô™‚ô™ Then it fell apart ‚ô™‚ô™
So try this. I'm gone.
You know at night when you're driving a car?
CLAUDIA: Daddy! EAMON: Hang on. Hang on.
I mean, he cleaned out the box. He left a gun. What does that mean?
NICKY: I told you, I'm not staffed for this.
CONKLIN: Get Nicky on the phone.
MARIE: Shit, that's Eamon. I'll talk to him. BOURNE: We're leaving.
CONKLIN: Where is he? Right now! Where's Wombosi?
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
ABBOTT: So...
There's enough in there for you to make a life. Any life.
Do you mind if I use the bathroom?
I know the best place to look for a gun is the cab of the grey truck outside.
I wiped the whole place down for fingerprints.
You just wait for them to get here. But I can't. I got to go.
BOURNE: Okay. That's good thinking.
I talk when I'm nervous. I mean, I talk like this when I'm nervous.
I guess you're not home.
It's all but decommissioned at this point.
Uh, here I am.
MARIE: What are you doing?
You better start filling in the blanks here! 'Cause I thought we were on the same side.
BOURNE: 104.
Can I walk around or is it gonna leave any footprints?
MARIE: Okay. I should go.
BOURNE: Did something go wrong? MARIE: I've got the records.
EAMON: I'm out of here, Marie!
But he's got to assume we're watching the bank, right?
(CAR BRAKES SQUEAK)
‚ô™‚ô™ So many heartaches, so many faces ‚ô™‚ô™
So, what are we into now?
Who are you?
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
No, it's not coming back, goddamn it! That's the point!
Who the hell are you?
Just quiet.
CONKLIN: I don't know. - Come on.
I got blueprints and cameras and security systems.
Jesus Christ! What is the French word for stakeout?
Shut it down.
I work alone. Like you.
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
Because you're dead.