Tasty Mystery Baskets of Clips

He, this guy at the front desk was smiling at me.
(CELL PHONE RINGS)
Excuse me. No. This is not my current address, okay?
I want to know everything you can tell me about what's going on at those locations.
No taxes, no credit.
why don't they just hang out a banner that says don't come back
- That's it. - Okay.
It's Bourne, isn't it?
(SUSPENSEFUL RHYTHMIC MUSIC)
What will I say about Treadstone?
ZORN: Sir, can I... ABBOTT: No.
- You tell them what happened! - I don't know what happened!
Jason, who's out there? Who is it?
I'll end it.
‚ô™‚ô™ Dirty basements, dirty noise ‚ô™‚ô™
This guy has come to see the American. But the body has disappeared.
I told you to come alone. I guess that was too complicated.
I haven't slept in a while and...
You told us where. You told us when.
BOURNE: You move, you die.
Well, listening to you, it's relaxing.
MARIE: Eamon always had money. He would never sell this.
I mean, she pops up on the grid here and there, but it's chaotic at best.
This was my address until two days ago, when I started standing in line.
BOURNE: Quiet. Be quiet.
CONKLIN: Well, you got to clean that up. NICKY: No, I can't clean it up.
BOURNE: Who is this?
There was an accident. On the motorway.
It was amazing.
You can walk around. It's no problem.
MARIE: The phone is dead. BOURNE: Yeah.
‚ô™‚ô™ I threw it out the windows came along ‚ô™‚ô™
MARIE: Okay.
- You failed and you're gonna tell me why! - I can't tell you! I don't remember!
Po Po Po Po Power with Bearglove
BOURNE: Treadstone.
What are you gonna do?
GIANCARLO: It's not much, but it should get you to Switzerland.
All right, get in the front, Claudia.
You need to bring me back that bastard kid's head...
NICKY: Alpha 37509.
CONKLIN: Jason, listen. All we've been doing right from... BOURNE: Enough.
(PARISIAN MUSIC) (INDISTINCT CHATTER)
(TENSE INSTRUMENTAL MUSIC)
Code in.
‚ô™‚ô™ They help me out late at night ‚ô™‚ô™
He went out the window. Why would someone do that?
But we'll just keep track of everything we touch.
It was over!
CONKLIN: (VOICE-OVER) No. But we got a good idea where he is.
‚ô™‚ô™ That could get me along ‚ô™‚ô™
Every week it's a new person. How am I supposed to...
...and it's just starting to move to the background...
Yeah.
(INTENSE RHYTHMIC MUSIC)
CONKLIN: We think he'll come back in now.
Yeah, but we're not talking. I'm talking.
You already cleaned the room?
SECURITY CHIEF: All Units, target may have a radio.
(DIALLING PHONE NUMBER)
We don't take care of this, we don't make it to the men's room.
(SUSPENSEFUL INSTRUMENTAL MUSIC)
- One minute, Eamon. - I'm not waiting!
Please. Lie down.
- They're sure it's him? - Yes. He went to the bank.
(OMINOUS INSTRUMENTAL MUSIC)
BOURNE: But not here. If we stay here, we die.
I haven't talked to anybody in a while.
SECURITY CHIEF: Move in! Move in!
So I'll call you, you give me the layout, and we'll take it from there.
Why don't they just hang out a banner that says, Don't come back!
Are you crazy? What are you doing now?
I just had a meeting as Kane and he knew me as Kane.
‚ô™‚ô™ Oh, baby ‚ô™‚ô™
Johann Gambolputty
I told you I'd clean this up. That's what I'm doing.
I needed a drink. I didn't think you would come back.
Mummy is away for two days, thank God.
(PHONE DIALING)
(SPEAKING IN GERMAN)
...the cost-benefit ratio was just too high.
MARIE: So, this is it, right?
For two weeks I'm down here.
And if there's no taxi?
BOURNE: And what?
BODYGUARD: Listen to me. We need these people.
You've given me nothing but a trail of collateral damage...
So, do you think there's, like, a family waiting for you?
Come on.
Gun down.
Dining room window?
No, for northern Europe we need an authorised directive. Yeah.
Sure, Sure
One night. You weren't kidding.
BOURNE: Go. Go. MARIE: What are...