Tasty Mystery Baskets of Clips

AL: "Fauss and Halsy."

But the girl has to live at the end.

- You know me? - FRANK: Yeah, I know who you are.

right, they're the same cast of characters

BOB: Thank you, honey.

They do whatever it takes to get their movie made.

What have we got here?

Mm, interesting idea.

and, uh, I brought these... You don't have to do this.

It's a chocolate factory, right?

Could be a crown jewel.

Charlie, you know Ann-Margret, right?

I wouldn't miss it for the world.

- It's fun, isn't it? - It's special, Mario.

[audience gasping, muttering]

Now, he might do this, but he'll want to direct.

To the Colombo Family.

AL: Deserved it.

It's not inherently funny. Trust me, I live it.

It's only a million.

It's a beautiful piece of meat, huh?

AL: You get 'em?

so I need you to produce it.

What if I could get you out of that lawsuit?

My mother never browned anything.

BOB: I'm having a party Saturday night,

before I have Jilly here smack some respect into you.

Well, that's not up to me. That's up to you.

- Morning, Mr. Evans. - Hey, babies.

Dan Tana's to-go?

- Great line. - Yeah.

Let's watch this take first.

Look, I'm gonna talk to him while I'm here in New York,

is selling more copies than the Bible?

You do remind me of me, and I'm a sentimental guy,

but you knew that already, didn't you?

at the Rand Corporation,

- The fuck is that? - Oh, he owes.

American POWs. It's a Billy Wilder thing.

Ain't exactly handing 'em out, Joey.

- Single mother? - Mm-hmm.

like three disparate worlds.

BOB: Where's the chocolate, man?

But who defends us, the Italians?

I'll buy it today for a million.

He's up your ass about "Paint Your Wagon" overages.

Crime leads to murder under the...

that you never hire the author.

Times are changing, and we need to keep up.

- A glass? - From you? Sure.

there's a blank page laughing at me.

That's kind of true, Mitch.

I got off the phone with Charlie.

They don't like each other sometimes,

We got a chance to make a huge hit here.

[martial drumbeat]

I'm going to make an ice-blue, terrifying film

Well, if anyone knows what Redford's up to,

♪ Hold me again TOMMY: [speaking Italian]

You wait for Jack Warner.

Uh, nice car, sir.

Giving me a fucking headache.

Redford's not in town.

Oh, you wanna cross me, you fat fuck, huh?

"F Troop," "Gomer Pyle."

Why'd you walk away?

[soft dramatic music]

I don't know the rules.

The bookstore in Little Italy,

It's McQueen's motorcycle jump.

I will let you take my husband,

He, uh--he owns the bakery over on Grand.

Should we call Paramount?[chuckles]

Uh, we just go into the network,

Stevie Phillips please.

And, uh, bathing suits are optional.

The oldest son is a hothead.

I don't want to glorify mafia violence.

The Frank Sinatra, Johnny Fontane character?

They're gonna wanna see something new.

Sorry, folks. Go back to eating.

[speaking Italian]

Evans, you are completely transparent.

- Yeah, that was a lot of fun. - Yeah.

We have to find a script that's been overlooked.

that he did to get this movie made,

"Okay, character arcs. What is this really about?

Wants him to rise above the family business