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Tasty Mystery Baskets of Clips
to try and teach you to crawl to the podium.
So when he played the Adagietto at Robert Kennedy's funeral,
(Francesca's breath trembles)
No serious person reads it.
I'll be happy when it's over.
-It's not so simple. -(music stops)
that we have no words for them.
(turns off water)
How's your sister doing?
When will you be back?
TÁR: Aren't we being a bit formal, Francesca?
Uh, first and foremost, Nadia Boulanger.
to begin with "back-and-forth tremolo strokes
was very true for Mahler later in life,
Good. Good.
to take his music seriously.
-Yeah. -You want to go to the park?
And that - that is surprising
(both chuckling)
to get any writing done.
The reality is that right from the very beginning,
(applause quiets)
(indistinct chatter grows louder)
What do you mean?
Thank you.
We haven't had any.
-the sights of our beautiful country. -Oh. Thank you.
"Indeed, the common metaphors used to explain music
I know you're busy, and I don't want to add to your load,
that they had never seen, let alone heard
(cello playing Tannhäuser und der Sängerkrieg auf Wartburg)
Day before yesterday.
or throw time out the window altogether.
We all live out of a suitcase.
(runs water, stops)
I know many of you are wondering
Y-You're not asking.
-Immediately? -Mm.
GOPNIK: In 2010, with the support of Eliot Kaplan,
saving the big one, Symphony No. 5, for last.
So I've heard.
if the singer is there, right?
No. Thank you.
-(Tár sighs) -No movement there yet.
Uh, we just wanted to confirm that the composer was in fact
You never sleep that deeply.
Mr. Kaplan was very apologetic.
stating she would be in contact
He's not pretending he's certain about anything.
why did you come to Juilliard?
a slightly different meaning for many in our audience.
All right.
(classical music resumes)
Mr. Kaplan thought it might be best
(speaking German)
And, you know, if you listen to a recording of it,
(music ends)
It's kind of a perfect insult, don't you think?
it ran for 12 minutes.
But fortunately, times change,
'Cause he knows that it's always the question
-How hard can it be to text all day? -(horn blaring)
(quiet chatter)
-Oh, incredible to have lived through it. -Hmm.
So if you're gonna partner with Mahler
Do you have a towel?
(sighs) For what?
if you contacted a lawyer
-Really? That's... -... and the exact moment
There's no way that was done in real time.
specializing in the indigenous music
Imagine her hurt, Tár.
They're all waiting for you.
(accordion playing discordant music)
Oh, I do. I do.
I am familiar with the electoral conclave.
have a point of view about anything?
process started all over again.
I've got a class at Juilliard.
Uh, I'm taking Petra to school.
You made music for free.
(closes lid)
but my husband and I are selling the place
is at all relevant to his work.
I mean, we don't call women astronauts "astronettes."
(quietly): ♪ Feelin' a feelin' ♪
-(gasps) -(sharp thud)
Suits you.
-as we first wanted to meet to discuss strategy. -Mm-hmm.
No.
Playing corpses?
I-I was thinking about Mahler and Alma's.
Let's... stop here.
Houselights down half, please.
(quiet rattling)
Do you remember an Accordion Academy fellow
it was all gender spectacle.
SHARON: Well, it's unanimous.
And when that someone was Lenny, the orchestra was led
successfully placing any of them.
-(Tár scoffs) -And in the end,
all those years ago with Furtwängler.
Love.
let's bring in number one.
-(speaks indistinctly) -(playing stops)
-Uh, I spoke to an assistant in Boyd Muir's office... -Hmm.
if not most, symphony orchestras today,
Ah, thanks.
♪ Changing major to minor. ♪
TÁR: Yes, hello.
That was a long time ago.
Yes?
(speaking German)
Anyone at all could stream Berlin performances
Well, of course, he was great.
(inhales deeply)
No, that won't be necessary.
It's just my shoulder. Yeah.
TÁR (over video): Oh, well, then you must be
(child chattering)
(panting softly)
The narcissism of small differences
Operational shortfall?
I can't wait until the live recording.
von Karajan hold in photographs.
And who'll sing a psalm?
will be published by Nan Talese's imprint at Doubleday,
Yes, it's-it's really wonderful work, uh, Karl.
that includes Richard Rodgers, Audrey Hepburn,
Well, is there someone other than Francesca
and Alma had left him for Gropius.
Of course, Maestro.
(door closes)
I mean, that's easily checked, right?
(audience continues chattering)
(Tár panting)
It's not something I imagine
makes it kind of impossible for me
You must never forget that music is movement,
PETRA (in distance): Lydia!
Possibly Andrew Crust.
Mr. Kaplan said he's certain nothing will come of it,
Yeah.
and what are yours, and how do they complement one another?
Don't.
Like her mentor, Leonard Bernstein,
which means that time stops.
Accurate assessment?
Am I right in thinking that a conductor
(chanting continues)
Don't do this. Please don't do this.
That's when I decide to learn piece
Britta, hi.
-What, expand our numbers? -No, our sex.
And so you chose...
(opens pill bottle)
It's the way it makes you feel when you hear it.
♪ Your apartment's for sale! ♪
Oh, no.
not flying in from Osaka to attend the concert.
Okay?
-Lydia, you're confused. -(grunts)
She wasn't one of us.
Olga?