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Tasty Mystery Baskets of Clips
What happened?
You understand that?
It's-- It's all I see anymore.
Both of those things he does, I think, quite masterfully.
This coming from a woman who's never built anything
What does that have to do with anything?
but artistic integrity, all this bullshit...
[clears throat]
EVANS: You ungrateful fuck.
♪
Life, I guess.
in almost a third of the book.
[elevator bell dings]
Joe. What are you doing here?
I've never felt so dirty in my life.
[soft dramatic music]
Who? Don't ask.
I got my own family now.
That's how you make hit pictures.
Everything okay?
Mm.
Well, what happened?
that's his résumé.
Um, Francis wanted to be here,
That was kind of a weird toast.
Hi. We put a bunch of Dons on tape.
Come here, come here, come here.
Fuck.
Finally getting going on this thing.
ALL: To "The Godfather." To "The Godfather."
That's not Steiger.
who knows not to shit where he sleeps.
I have something you need to see.
Known you guys for a very long time.
I don't want to produce with you.
I might as well move to Boca.
We need hits.
was not to do an imitation of Brando,
I'm a serious man, and I'm committed
Tell me.
I got it, I got it.
We lost the Staten Island compound.
Forgive me, but when I was leaving your office,
I need to do this on my own.
BETTYE: Hello.
What do you have in mind, Frank?
Mr. Lovano, this is Al Ruddy, the producer of the film.
Look at those eyes.
that the picture is getting.
So let me help you. We can do this together.
We've got Steiger, Anthony Quinn, Ernest Borgnine.
I mean, Sinatra, Biaggi,
You'd like to know my motivation
Who are you?
Sinatra's still a problem for me.
Why not use another house?
He wants to do it.
COLOMBO: Is that Al Ruddy I hear?
[exhales deeply] Why'd you do it?
I brought you something. Oh, what, another scone?
for being here and sitting with you?
Billy is the best.
I'll even get him a fancy chair on set.
I happened to be at the right place at the right time
Irish, Italian, what's the difference?
that's not what I was trying to do.
This is turning into a fucking fiasco.
EVANS: I said let's hear what you have to say.
You've been one for all of seven seconds.
Charlie, can I get a minute?
Don't waste your time.
we can really get the ball rolling.
he either, I don't know, tries to take over your movie,
and the Italian-American Civil Rights League?
Fine.
Irv. GOLDSTEIN: You're one lucky SOB.
She knows what she's doing, man.
More importantly, how do you feel about it?
Ah, man, the area north of 120 is no good.
that's constantly, constantly running.
They called me a shrimp, these guys, right?
EVANS: I already live on a mountaintop.
one of the biggest-grossing movies of all time,
I don't know why the hell we're doing this
I'm sorry, Bettye. I'm not.
in fact, all you want in life,
I don't want no trouble. Please.
I love it!
What's your favorite song to do with Dino and the boys?
Making movies has become too unpredictable.
It's about Pacino.
'Cause I did my homework. Oh, teacher's pet.
Is there some place to go?
♪
Or, "It's a joke," or whatever vapid remark
No. I'm pretty sure that covers it.
I know that.
I'll tell you what, Ol' Blue Eyes better start
Uh, no. No.
"The Godfather" ain't got nothing on my life.