Tasty Mystery Baskets of Clips

[soft dramatic music]

Known you guys for a very long time.

It's about Pacino.

EVANS: I already live on a mountaintop.

Is there some place to go?

Irish, Italian, what's the difference?

Sinatra's still a problem for me.

but artistic integrity, all this bullshit...

Or, "It's a joke," or whatever vapid remark

EVANS: I said let's hear what you have to say.

Hi. We put a bunch of Dons on tape.

What does that have to do with anything?

I don't want to produce with you.

Billy is the best.

I have something you need to see.

What's your favorite song to do with Dino and the boys?

[exhales deeply] Why'd you do it?

That's not Steiger.

Look at those eyes.

I might as well move to Boca.

No. I'm pretty sure that covers it.

Who? Don't ask.

in fact, all you want in life,

Finally getting going on this thing.

I don't want no trouble. Please.

that's his résumé.

We lost the Staten Island compound.

Mr. Lovano, this is Al Ruddy, the producer of the film.

Um, Francis wanted to be here,

This is turning into a fucking fiasco.

Don't waste your time.

that the picture is getting.

You understand that?

Making movies has become too unpredictable.

I'll even get him a fancy chair on set.

'Cause I did my homework. Oh, teacher's pet.

They called me a shrimp, these guys, right?

I'm sorry, Bettye. I'm not.

who knows not to shit where he sleeps.

I don't know why the hell we're doing this

ALL: To "The Godfather." To "The Godfather."

Joe. What are you doing here?

"The Godfather" ain't got nothing on my life.

[elevator bell dings]

Everything okay?

EVANS: You ungrateful fuck.

for being here and sitting with you?

We've got Steiger, Anthony Quinn, Ernest Borgnine.

I mean, Sinatra, Biaggi,

one of the biggest-grossing movies of all time,

Ah, man, the area north of 120 is no good.

Why not use another house?

that's constantly, constantly running.

Charlie, can I get a minute?

that's not what I was trying to do.

You'd like to know my motivation

I've never felt so dirty in my life.

Both of those things he does, I think, quite masterfully.

I got my own family now.

[clears throat]

She knows what she's doing, man.

I happened to be at the right place at the right time

More importantly, how do you feel about it?

That's how you make hit pictures.

I need to do this on my own.

we can really get the ball rolling.

So let me help you. We can do this together.

COLOMBO: Is that Al Ruddy I hear?

You've been one for all of seven seconds.

Well, what happened?

I'm a serious man, and I'm committed

he either, I don't know, tries to take over your movie,

What do you have in mind, Frank?

Come here, come here, come here.

Irv. GOLDSTEIN: You're one lucky SOB.

I brought you something. Oh, what, another scone?

He wants to do it.

was not to do an imitation of Brando,

That was kind of a weird toast.

It's-- It's all I see anymore.

and the Italian-American Civil Rights League?

in almost a third of the book.

This coming from a woman who's never built anything

I got it, I got it.

I'll tell you what, Ol' Blue Eyes better start

Forgive me, but when I was leaving your office,