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Tasty Mystery Baskets of Clips
We need hits.
and the Italian-American Civil Rights League?
You'd like to know my motivation
Fine.
I'll even get him a fancy chair on set.
[clears throat]
Sinatra's still a problem for me.
Look at those eyes.
in almost a third of the book.
he either, I don't know, tries to take over your movie,
Everything okay?
Tell me.
What do you have in mind, Frank?
I don't know why the hell we're doing this
Don't waste your time.
So let me help you. We can do this together.
Is there some place to go?
Charlie, can I get a minute?
we can really get the ball rolling.
It's-- It's all I see anymore.
Forgive me, but when I was leaving your office,
What's your favorite song to do with Dino and the boys?
"The Godfather" ain't got nothing on my life.
Come here, come here, come here.
More importantly, how do you feel about it?
I need to do this on my own.
Irish, Italian, what's the difference?
I have something you need to see.
that's constantly, constantly running.
I'm a serious man, and I'm committed
Making movies has become too unpredictable.
EVANS: I already live on a mountaintop.
What happened?
I might as well move to Boca.
Ah, man, the area north of 120 is no good.
That was kind of a weird toast.
♪
Joe. What are you doing here?
Well, what happened?
Why not use another house?
EVANS: You ungrateful fuck.
EVANS: I said let's hear what you have to say.
one of the biggest-grossing movies of all time,
that's not what I was trying to do.
Who? Don't ask.
who knows not to shit where he sleeps.
You understand that?
What does that have to do with anything?
[soft dramatic music]
I brought you something. Oh, what, another scone?
I'm sorry, Bettye. I'm not.
I love it!
[elevator bell dings]
We lost the Staten Island compound.
You've been one for all of seven seconds.
but artistic integrity, all this bullshit...
Known you guys for a very long time.
that the picture is getting.
ALL: To "The Godfather." To "The Godfather."
This coming from a woman who's never built anything
I got my own family now.
I don't want no trouble. Please.
Billy is the best.
Both of those things he does, I think, quite masterfully.
for being here and sitting with you?
was not to do an imitation of Brando,
I know that.
No. I'm pretty sure that covers it.
that's his résumé.
Finally getting going on this thing.
She knows what she's doing, man.
I'll tell you what, Ol' Blue Eyes better start
That's not Steiger.
Fuck.
Mr. Lovano, this is Al Ruddy, the producer of the film.
Hi. We put a bunch of Dons on tape.
I don't want to produce with you.
I got it, I got it.
BETTYE: Hello.
I've never felt so dirty in my life.
This is turning into a fucking fiasco.
Uh, no. No.
♪
He wants to do it.
We've got Steiger, Anthony Quinn, Ernest Borgnine.
I mean, Sinatra, Biaggi,
Who are you?
They called me a shrimp, these guys, right?
'Cause I did my homework. Oh, teacher's pet.
I happened to be at the right place at the right time
It's about Pacino.
Or, "It's a joke," or whatever vapid remark
Mm.
Life, I guess.
That's how you make hit pictures.
COLOMBO: Is that Al Ruddy I hear?
in fact, all you want in life,
[exhales deeply] Why'd you do it?
Um, Francis wanted to be here,
Irv. GOLDSTEIN: You're one lucky SOB.